Renowned Nigerian gospel singer Deborah Fasoyin, celebrated voice behind the evergreen Christ Apostolic Church anthem “Odun n lo sopin,” is alive and well, her family has confirmed, following a wave of false reports announcing her death.

The rumour, which spread rapidly across social media platforms, had circulated with her photographs accompanied by condolence messages and “RIP” captions, prompting confusion and anxiety among fans and church members at home and abroad.

Speaking on behalf of the family, her son, Korede Fasoyin, firmly dismissed the claims, describing them as fake and mischievous. He explained that the family was inundated with calls from Nigerians and well-wishers in the diaspora who had seen the posts and feared the worst.

According to Korede, the family has begun recording a video featuring the veteran singer herself to reassure the public and put an end to the speculation. He stressed that his mother remains very much alive and urged members of the public to disregard the unverified reports.

The incident has once again drawn attention to the growing problem of unverified information and death hoaxes on social media, particularly involving elderly public figures. Many observers have condemned the trend as insensitive and harmful, especially to families who are forced to respond to distressing falsehoods.

Deborah Fasoyin, fondly called Mama Fasoyin, is a revered figure in Nigerian gospel music. Her signature song “Odun n lo sopin” has, for decades, become a staple of end-of-year church services, especially within the Christ Apostolic Church, where it is sung as a prayerful reflection on God’s faithfulness and a hopeful plea for the coming year.

Beyond its seasonal popularity, the song has taken on a life of its own, passed down through generations and frequently rendered by choirs across denominations. Its simple, meditative melody and deeply spiritual lyrics have cemented Fasoyin’s place as one of the enduring voices of Yoruba gospel worship.

Family members and admirers are now using the opportunity not only to correct the false narrative of her death but also to celebrate her life, legacy and continuing influence on Nigerian church music.